Die kommenden Tage is the story of an upper middle-class Berlin family on their personal journey from the present day into a near future, a journey into a time of uncertainty and grave changes. Due to a rare antibody reaction, Laura Kuper has to choose between her desire to have children and Hans, the love of her life. Her sister Cecilia is driven into the abyss of a newly developing terrorist movement by her unreturned love to Konstantin. And then there is Philip, the youngest child of the family, pulled into a hopeless war for Germany for the few remaining oilfields of Asia. A destabilized family tackles a destabilized world, entering their future with all their hopes and fears.
The dramatic arc of Friedliche Tage was developed from images and the people who sustained those images. As long as the film is set in the building where the executions are carried out and the delinquents await their end, the tale is told with "classic" suspense. After Hanna leaves there with Robert, her potential executioner played by Branko Samarowski the traditional, linear narrative form dissolves into individual motifs; images that taken together show that these two, as a couple, can't manage in the "normal" world.
The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless.
A scientist who swore off playing chess after a nervous breakdown as a boy wunderkind, creates an undefeated chess program. But the Russian world champ beats Tommy Rosemund's masterwork in a televised match. So the West German mathematician becomes a top chess pro himself, which the West German media boast will prove the superiority of Germany and democracy. The jowly, white-faced Rosemund believes that the entire Red Communist bloc is out to stop him from vanquishing their atheist pretty boy, Stefan Koruga, to become the next Bobby Fischer and a symbol that ruthless capitalism is preferable to socialism.