The chiming notes of a very Mahavishnu Orchestra sounding guitar open the tension-rich "Fire Mountain" hotly pursued by Theo Travis' intense tenor sax soloing and coruscating axe work from Mike Outram. A change of pace is heard in the title track, beginning slowly but gradually building-up in pace and volume, Outram's fuzzy guitar twinned with Travis' sax comprise the melodic driving force, all underpinned by organ from Pete Whittaker and crackling drums from seasoned percussionist Nic France. The pressure continues to build courtesy of a keen ensemble riff reaching a climax until it dies back into the opening reflective sax-led balledic theme.
The young organist Charles Earland converted the Beatles’ “Eleanor Rigby” into an anthem called “Black Talk” and came up with one of the huge soul-jazz hits of the early Seventies. In this album, Earland worked the same magic with two other pop songs, “Aquarius” and “More Today than Yesterday,” giving them the urgency and forward movement of R&B but managing to inject them with jazz values. He was greatly aided by a pair of soloists—trumpeter Virgil Jones and tenor saxophonist Houston Person—who added fuel to Earland’s fiery concept. Guitarist Melvin Sparks and the quintessential soul jazz drummer Idris Muhammad helped keep the blaze going.
Talk Is Cheap is the debut solo album by Keith Richards of the Rolling Stones, released in 1988. Recorded and released during a long-standing falling out with Mick Jagger, Talk Is Cheap received positive reviews upon its release. Released in October 1988, Talk Is Cheap was released to a very receptive critical reaction (many reviewers half-jokingly called it the best Rolling Stones album in years) and it peaked at #37 in the UK and #24 in the US, where it went gold.
Kazumi Watanabe (渡辺香津美) is a Japanese jazz fusion guitarist. He was born on October 14, 1953 in Tokyo, Japan. In the 1980s, he toured as guest soloist with Steps, the Brecker Brothers, and Word of Mouth, led by Jaco Pastorius. Watanable created the jazz-rock/jazz-fusion band Mobo in 1983 with Mitsuru Sawamura (saxophone), Ichiko Hashimoto (piano) , Gregg Lee (gutiar), Shuichi Murakami (drums), and Kiyohiko Senba.
Reissue features the latest DSD remastering and HR cutting. Also features the high-fidelity SHM-CD format (compatible with standard CD players). An excellent piece of early soul-jazz, 1960's Talk That Talk isn't as bop-oriented as Shirley Scott's albums with Stanley Turrentine from the same period, as flashy and ornate as the albums Jimmy Smith was starting to make with Creed Taylor and Lalo Schifrin, or as funky and blues-based as the best of Jimmy McGriff or "Brother" Jack McDuff. Smith's playing on this album is low-key almost to the point of being conservative, deeply soulful without resorting to what would soon become tired funk clichés.