On his 1988 solo effort Talk to Your Daughter, singer/guitarist Robben Ford proves himself a master of sophisticated blues-rock guitar playing. The material is quite strong, and all the musicians perform at the highest level, but it's Ford's stellar soloing that makes this release. Fans of flailing '80s rock virtuosos would do well to check out Ford's exceptional work on Talk to Your Daughter. The musician's colorful yet controlled improvising and harmonic mastery is a rare and beautiful sonic treat. The title track is dripping with soulful, well-placed guitar lines that play like a master lesson of up-tempo blues phrasing that guitarists would do well to study. Other standouts include "Born Under a Bad Sign" and "Ain't Got Nothin' But the Blues." The fine arrangements and especially Vinnie Colaiuta's sharp drumming are all tightly wound with crisp, clear production that tops off "Talk to Your Daughter," making it a shining success. Listeners fond of Ford's work with the Yellowjackets and numerous side gigs, as well as guitarists and all musicians, should enjoy this very professional, succinctly executed offering. First rate!
For their third album, the Go-Go's abandoned all pretense of being punk, or even new wave, and went for an unabashed mainstream pop masterpiece. They nearly achieved their goal with Talk Show, an album filled with great pop songs but undermined by its own ambition. Talk Show has a sharper sound than its predecessors, with bigger guitars and drums, which helps drive home the accomplished pop hooks of "Turn to You," "I'm the Only One," and "Yes or No." However, the record is cluttered with half-realized songs and an overly detailed production which occasionally prevents the songs from reaching their full potential. But when the production and song are teamed well, the results are incredible, such as the surging "Head Over Heels," another classic single.
Achingly gorgeous and hauntingly stark, Mark Hollis' self-titled debut picks up where he left off with Talk Talk's Laughing Stock seven years earlier, re-emerging at the nexus point where jazz, ambient, and folk music collide. It's quite possibly the most quiet and intimate record ever made, each song cut to the bone for maximum emotional impact and every note carrying enormous meaning. Hollis paints his music in fine, exquisite strokes, with an uncanny mastery of atmosphere that's frequently devastating. And if anything, his singularly resonant voice has grown even more plaintive with the passage of time, which – combined with the understated artistry and minimalist beauty of tracks like "The Colour of Spring" and "Watershed" – makes Mark Hollis a truly unique and indelible listening experience. His obvious understanding of the power of silence aside, one prays he doesn't again wait for the seven-year itch to strike before returning.
Let's Talk About Love is the fifth English-language studio album by Canadian singer Celine Dion, released on 14 November 1997, by Columbia/Epic Records. The follow-up to her commercially successful album Falling into You (1996), Let's Talk About Love showed a further progression of Dion's music. Throughout the project, she collaborated with Barbra Streisand, the Bee Gees, Luciano Pavarotti, Carole King, George Martin, Diana King, Brownstone, Corey Hart and her previous producers: David Foster, Ric Wake, Walter Afanasieff, Humberto Gatica and Jim Steinman. Let's Talk About Love includes Dion's biggest hit, "My Heart Will Go On". Written by James Horner and Will Jennings, and serving as the love theme for the 1997 blockbuster film Titanic, "My Heart Will Go On" topped the charts around the world, and has become Dion's signature song.