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The Tubes - The Tubes (A&M AMLH 64534) (NL 1975) (Vinyl 24-96 & 16-44.1)  Vinyl & HR

Posted by luckburz at June 18, 2011
The Tubes - The Tubes (A&M AMLH 64534) (NL 1975) (Vinyl 24-96 & 16-44.1)

The Tubes - The Tubes
FLAC | Artwork | 24Bit 96kHz: 796 MB | 16Bit 44.1kHz: 265 MB
Cat#: A&M AMLH 64534 | Country/Year: Netherlands 1975
Genre: Rock, Glam, Punk | Hoster: Filesonic/Uploaded

Produced by Al Kooper, this debut by the notorious San Francisco group is best known for the blazing anthem "White Punks on Dope." Although the Tubes' raison d'être was their shock-rock stage dynamic, Bill Spooner, Fee Waybill, and company could, on occasion, deliver some offbeat pop splendor…

The Tubes - The Tubes (1975)  Music

Posted by mr. magoo at Dec. 24, 2009
The Tubes - The Tubes (1975)

The Tubes - The Tubes (1975)
EAC AccurateRip | FLAC + Log + Cue | Scans | 244 MB | RS | 5% recovery
Label: A&M Records 75021 3161 2 | Genre: Rock

Produced by Al Kooper, this debut by the notorious San Francisco group is best known for the blazing anthem "White Punks on Dope". The Tubes were arch satirists of popular culture whose outrageous performance-art concepts -- which swung wildly from soft-core pornography to suit-and-tie conservatism -- frequently eclipsed their elusive musical identity. The beginnings of the group originate in Phoenix, Arizona in the late '60s, where guitarist Bill Spooner, keyboardist Vince Welnick and bassist Rick Anderson formed as the Beans (alternately billing themselves as the Radar Men from Uranus). After moving to San Francisco in 1972, the Beans recruited guitarist Roger Steen and drummer Prairie Prince (from Red, White & Blues), and later became The Tubes with the addition of Michael Cotten on keyboards and former roadie Fee Waybill on lead vocals.

The Tubes : The Tubes MFSL  Music

Posted by avoros at July 4, 2006
The Tubes : The Tubes MFSL


MFSL Aluminium


By 1983 MoFi had grown into a company with over 25 employees and grossing over $8 million annually. Then they nearly lost it all. The new darling on the scene was the compact disc. Because MoFi had been putting something on the order of 20% of their earnings back into research, they were prepared for the next wave. In the mid ‘80s, they launched their assault on the CD market with their half-speed wares.

Their first efforts were released on aluminum discs, very much like all other discs at the time. And, in fact, some of these have become quite rare. Recently copies of them regularily go for >$75 on e-Bay. Partly, in an effort to justify the higher price they needed to charge, MoFi began to release their works on gold-plated compact discs called UltraDiscs. Although gold in and of itself isn’t significantly better than aluminum for the reproduction of ones and zeros, it oxidizes roughly ten times more slowly than aluminum. It is also supposed to coat more evenly than aluminum. This last attribute is said to cut down on the pin-holing so common to aluminum CDs, which allows for less error-correction during playback. This means more of the actual recording and less processor interpolation gets to your ears. So there was some inherent advantage to the gold treatment.
The Tubes - The Completion Backward Principle (Capitol 1C 064-400 009) (GER 1981) (Vinyl 24-96 & 16-44.1)

The Tubes - The Completion Backward Principle
FLAC | Artwork | 24Bit 96kHz: 843 MB | 16Bit 44.1kHz: 278 MB
Cat#: Capitol 1C 064-400 009 | Country/Year: Germany 1981
Genre: Rock | Hoster: Filesonic/Uploaded

The Completion Backward Principle was the first release on EMI/Capitol by San Francisco-based the Tubes. It found the outrageous septet working with producer David Foster, who gives the record a high-gloss sheen. It's a pairing that, while possibly surprising to fans of the band's earlier releases, actually works quite nicely…
Rs The Tubes - The Best Of The Tubes [20th Century Masters The Millennium Collection]

The Tubes - The Best Of The Tubes [20th Century Masters The Millennium Collection]
Pop | MP3 192 Kbps | 46min27sec | 63.9 MB

The Weeknd - Starboy (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 8, 2016
The Weeknd - Starboy (2016) [TR24][OF]

The Weeknd - Starboy
R&B | FLAC (tracks) 24-bit/44.1 kHz | 68:28 min | 794 MB | Front Cover
Label: Universal Republic | Tracks: 18 | Rls.date: 2016

THE WEEKND has announced the title, cover art and release date for his latest album, the follow up to last year s Grammy-Award winning, triple-platinum Beauty Behind The Madness. The album, entitled Starboy will be released on November 25th, 2016.
Dr. Fink And The Mystery Band - Hooked On A Beatles Tribute (1992)

Dr. Fink And The Mystery Band - Hooked On A Beatles Tribute (1992)
EAC Rip | FLAC (Img) + Cue + Log ~ 308 Mb | MP3 CBR320 ~ 111 Mb
Scans (PNG, 300 dpi) ~ 27 Mb | RAR 5% Recovery
Pop Rock, Beat | K-Tel #60072 | US

Matthew Robert "Matt" Fink, better known by the stage name Doctor Fink, is an American keyboardist, record producer, and songwriter. He is best known as a member of The Revolution, the backing band for pop musician Prince. Fink won a Grammy Award in 1985 for the album Purple Rain. The recording has sold over 18 million copies since its release…
Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)

Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)
EAC | FLAC | Image (Cue&Log) ~ 212 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Hyperion | # CDA66223 | Time: 01:02:51

This CD presents the brief but remarkable output of songs by Duparc during his artistic period that was cut short by a nervous affliction. These works are beautifully performed by mezzo-soprano Sarah Walker and baritone Thomas Allen, with sensitive piano accompaniment by Roger Vignoles. The collection opens with Duparc's best known melody, L'invitation au voyage, which is a setting of a text from Baudelaire's Les fleurs du mal. The lovely rolling impressionist piano harmonies are played with exquisite fluidity, as they underscore Walker's velvety and intimate vocals. The Sérénade florentine is an impressionist lullaby to a loved one, delivered with touching emotion by Thomas Allen. Extase, Elégie and Testament show the influence of Wagner, and the Chanson triste is one of Duparc's early, Gounod-style songs. Au pays oú se fait la guerre (1869) is also an early work, but is particularly entrancing with simple modal harmonies and easily perceived song construction. By sensitive use of passing tones in the piano, the harmonies are subtly redefined and the music is extended dramatically toward the end by expressive on-rushes.

John Mellencamp - The Best That I Could Do 1978-1988 (1997)  Music

Posted by popsakov at Dec. 2, 2016
John Mellencamp - The Best That I Could Do 1978-1988 (1997)

John Mellencamp - The Best That I Could Do 1978-1988 (1997)
EAC Rip | FLAC (Img) + Cue + Log ~ 432 Mb | MP3 CBR320 ~ 141 Mb
Scans (JPG, 400 dpi) ~ 29 Mb | RAR 5% Recovery
Rock | Mercury #P2-36738 | US

The Best That I Could Do is an appropriately self-deprecating title for John Mellencamp's greatest-hits collection, considering that the heartland rocker never seemed too convinced of his own worth. Of course, he had to struggle to get any respect after he was saddled with the stage name Johnny Cougar early in his career, but this 14-track collection proves that he was one of the best, unabashed straight-ahead rockers of the '80s. The 14 tracks here actually turn out to be a little too short to contain all of his great singles – songs like "Rain on the Scarecrow," "Rumbleseat," "Pop Singer," "Again Tonight," and "What If I Came Knocking"…
Nat King Cole - The Best Of The Nat King Cole Trio: The Instrumental Classics (1992)

Nat King Cole - The Best Of The Nat King Cole Trio: The Instrumental Classics (1992)
EAC Rip | FLAC (Img) + Cue + Log ~ 126 Mb | MP3 CBR320 ~ 126 Mb
Scans (JPG, 600 dpi) ~ 66 Mb | RAR 5% Recovery
Jazz, Swing, Easy Listening | Capitol Jazz #CDP 7 98288 2

For those needing a reminder of Cole's very original and expert piano playing, this 18-track roundup of some of his best instrumentals should fit the bill. Part of Capitol's three-volume series of Cole's classic trio sides (the other two cover the vocals), The Best of the Nat King Cole Trio includes gem after gem from the group's 1943-1949 prime and features the classic lineup that included guitarist Oscar Moore and bassist Johnny Miller. With Cole and Moore seamlessly blending lines throughout, the group forged the standard for many a piano trio to follow by way of classics like "Jumpin' at Capitol," "Sweet Georgia Brown," and "These Foolish Things"…