This gripping 1979 drama about the dangers of nuclear power carried an extra jolt when a real-life accident at the Three Mile Island nuclear plant in Pennsylvania occurred just weeks after the film opened. Kimberly Wells (Jane Fonda) is a TV reporter trying to advance from fluff pieces to harder news. Wells and cameraman Richard Adams (Michael Douglas, who also produced) are doing a story on energy when they happen to witness a near-meltdown at a local nuclear plant, averted only by quick-thinking engineer Jack Godell (Jack Lemmon). While Wells and Adams fruitlessly attempt to get the story on their station, Godell begins his own investigation and discovers that corporate greed and cost-trimming have led to potentially deadly faults in the plant's construction.
One of the best kept secrets in film music is out! World premiere release of never-used Michael Small score for highly-praised, then-timely thriller directed by James Bridges, starring Jane Fonda, Michael Douglas, Jack Lemmon. Tense tale of nuclear plant disaster played incredibly well without any dramatic scoring, but original intent was to have Small add suspense, excitement to grim & eerie proceedings. Small offers terse ideas, keeps pace with pending disaster, then unleashes sensational action cue with "Meltdown!" sequence. While multi-track elements have vanished, Sony fortunately vaulted mono safety copies of entire sessions. Engineering slates and paperwork allowed us to recreate Small's original picture intent as well. Also included is "bonus" section of Small's original source music, used for various TV bumpers (Fonda & Douglas are TV reporters). Michael Small conducts. Intrada Special Collection release limited to 1000 copies!
A leader of the movement for historically informed performances, Jos van Immerseel has been active in performances of Renaissance and Baroque music, but he has concentrated on piano music of the Classical and Romantic eras, performing and recording much of the keyboard repertoire on period instruments. This eight-CD box set from Accent contains van Immerseel's recordings from 1979 to 1986, played on a variety of original pianofortes and modern reproductions, and with period instruments in the works for ensembles.