Annie Lennox and David A. Stewart were commissioned to score the 1984 film adaptation of George Orwell's classic masterpiece. Most tracks are instrumentals, but this soundtrack yielded two UK singles for the duo: "Sexcrime (1984)" was quite popular on mid-80s dance floors and the ballad "Julia" is named for protagonist Winston's lover and the heroine of the story.
Import only collection of their massive selling 'Greatest Hits' collection originally released back in 1991. This 18 track collection adds four bonus tracks that are unavailable on the U.S. pressing, 'You Have Placed A Chill In My Heart', 'Sex Crime (1984)', 'Right By Your Side' & 'It's Alright (Baby's Coming Back)'. This collection as expected includes all their 80's hits, 'Sweet Dreams', 'Who's That Girl? ', 'Here Comes The Rain Again', 'Angel', 'Would I Lie To You?', 'Missionary Man', 'I Need A Man' and many, many more. Most attractive about this piece is only a few cents separates the cost between the domestic & the import. Standard jewel case.
Limited Deluxe Edition 8-CD album boxset comprised of the albums In The Garden, Sweet Dreams (Are Made Of This), Touch, Be Yourself, Revenge, Savage, We Two Are One and Peace, painstakingly digitally remastered from original master tapes with the supervision of Dave Stewart and featuring 43 bonus tracks including live, extended & acoustic versions, remixes and previously unreleased recordings, all in digipak picture sleeves presented in a beautifully designed deluxe boxset!
Switching to Arista Records in the U.S., Eurythmics made their last album together with We Too Are One, and they went out in style. Calling upon a broad pop range, their seventh album was their best since Be Yourself Tonight in 1985. The sound was varied, the melodies were strong, and the lyrics were unusually well-crafted. In retrospect, the album can be seen as a dry run for Annie Lennox's debut solo album, Diva (1992); songs like "Don't Ask Me Why" (which grazed the U.S. Top 40) serve as precursors to the dramatic ballads to come. There is, however, an air of romantic resignation throughout We Too Are One, appropriate to its valedictory nature. The disc spawned four chart singles in the U.K. and returned Eurythmics to number one in the album charts, but it did not substantially improve Eurythmics' reduced commercial standing in the U.S., confirming that it was time for Lennox and Dave Stewart to pursue other opportunities.
Years before Annie Lennox became a solo superstar, she and Dave Stewart released this dark and beautiful album from the leftfield. Savage was pretty much ignored in the US but over the years, it came to be regarded by many Eurythmics fans as the duo's best album, and Dave Stewart himself declared it to be his all-time favorite Eurythmics project. Yet Savage is an album that is hard to embrace on its surface. Coldly electronic for the most part and emotionally bipolar, Annie Lennox was clearly keeping her audience at arm's length even as she bared her soul through some of the most harrowing lyrics she ever wrote. If the music was distancing, Lennox's persona was even more so. Playing her sexual politics to a hilt behind a persona that blurred gender lines more aggressively than ever, Annie Lennox seemed not to care what the fans or critics thought.
On their fifth album, Eurythmics moved away from the austere synth-pop of their previous work and toward more of a neo-'60s pop/rock stance. "Missionary Man" (which went Top 40 as a single in the U.S. and charted in the U.K.) featured a prominent harmonica solo, while "Thorn in My Side" had a chiming guitar riff reminiscent of the Searchers and a fat sax solo. Of course, the primary element in the group's sound remained Annie Lennox's distinctive alto voice, which was still impressive even if the material was slightly less so. Revenge was a successful album, reaching the Top Ten in the U.K. and going gold in the U.S., but it was a disappointment compared to their last three albums. And creatively, it was a step down as well – there was nothing here that they hadn't done a little better before.
Revenge is the sixth album by the British pop duo Eurythmics, released in 1986. Following on from their previous album, Be Yourself Tonight, Revenge continued further in this direction as the duo embraced a more commercial "rock band" style. The album included several hit singles and was a commercial success. Its release was followed by an extensive world tour.
This album saw Eurythmics move away from their previous more experimental, synthesizer-based songs, to a more commercial pop/rock sound, incorporating a more traditional band line-up/instrumentation. Nonetheless, the recordings still possessed an atmospheric and cutting edge sound, winning Stewart awards for his production work on the album. The release of the album also coincided with a new look for singer Annie Lennox, who ditched the androgynous look of the previous albums and became, in biographer Lucy O'Brien's words, "a bleach-blonde rock 'n' roller." wikipedia