As a label, Blue Note has been changing its focus, drifting closer and closer to mainstream pop material – not that there's anything wrong with this, but it is a bit of a shock that the name label in jazz since 1939 is looking for hits with Elisabeth Withers and a third Norah Jones offering. That said, the Metro Blue imprint of the label is as adventurous as ever, and the self-titled offering from the Bird and the Bee is about as eclectic as it gets. The Bird and the Bee are vocalist and songwriter Inara George (for music historians, she is the daughter of the late Little Feat singer, guitarist, and songwriter Lowell George) and multi-instrumentalist/producer Greg Kurstin.
This isn’t the best recording of The Piano Concerto. Despite the fact that, for me at least, John Lenehan has always been the definitive Nyman pianist other than the composer himself, Stott’s interpretation has more vigour and Lawson’s more musicality. Lenehan’s performance is also muddied by the recording’s vague acoustic, a particularly telling problem for die-hard Nymaniacs who have grown up with the crisp, punchy, quasi-rock production style entirely appropriate to Nyman’s music and a trademark since his work with David Cunningham in the early 1980s.
The Road and the Radio is the tenth studio album by country music artist Kenny Chesney, released on November 8, 2005. The album peaked at #1 on the Top Country Albums and Billboard 200 charts…
This two-fer from Collectables features a pair of out of print LPs by easy listening arranger, composer, and producer Don Ralke, Gershwin with Bongos and The Savage and the Sensuous Bongos, both originally issued in 1960. These 26 tracks are unique in that the arrangements feature bongos as the prominent instrument. Along with several Ralke originals are such Gershwin standards as "How Long Has This Been Going On," "Summertime," and "I Got Rhythm."