Don't ya just love 'em? Jazz critics that is. I was reading just the other day what a complete waste of Lou Donaldson's ample talents his late 60's boogaloo beat records are. Well I am sorry - but I think they're great! It's all an attitude - sure LD's blowing is represented better elsewhere - but that just isn't the point. What we have here is archetypal party music, be it a scene from a 1960's movie or the Wag one Monday in the late 80's bursting at the seems as "Rev. Moses" shifts up a gear.
Formed in the early '60s, Los Angeles R&B quintet the 5th Dimension first appeared as the Hi-Fi's before changing their name in 1966 to better reflect the changing landscape of popular music. Their interpretations of some of the era's popular hits as well as songs by more obscure writers were radio mainstays in the late '60s and early '70s. This collection offers up most of their highest-charting and best-known singles like "Up, Up and Away," "Stoned Soul Picnic," and their chart-topping version of "Aquarius/Let the Sunshine In" from the musical Hair. Working in multiple styles, these performances show just how versatile and dynamic the 5th Dimension were.
Oboe and English horn lead the lush Avalon Strings through Summertime, Love is Here to Stay, Someone to Watch Over Me and ten more Gershwin classics. Instrumentation includes English horn, oboe & strings.
In the wake of Brian Setzer's success as a retro-swing act, his former Stray Cats partners Lee Rocker (bass) and Slim Jim Phantom (drums) formed their own swing/rockabilly/jump blues combo, the Swing Cats, with another rockabilly revivalist veteran, ex-Polecats guitarist Danny B. Harvey. The Swing Cats released their eponymous debut early in 1999, featuring guest vocal spots from Tim Polecat, Jamie James, and Claudia Cummings, among others. A Special Tribute to Elvis followed a year later. That same year Swing Cat Stomp was released.