The Keep 1983

The Keep (1983)  Video

Posted by sono.il.garante at Jan. 19, 2015
The Keep (1983)

The Keep (1983)
Netflix Rip | Lang: English | MKV | 1280x546 | AVC 1999Kbps | AAC 165Kbps | 95:38mins | 1.45GB
Genre: Horror | USA

Nazis are forced to turn to a Jewish historian for help in battling the ancient demon they have inadvertently freed from its prison.

Tangerine Dream - The Keep (1983)  Music

Posted by Tangram at June 1, 2006
Tangerine Dream - The Keep (1983)

Tangerine Dream - The Keep | 1983 | Release 1997 | Electronic
MP3 | CBR 320 kbp/s | Lame 3.96 | Time: 60:06 | Size: 138Mb

Tony Banks - The Fugitive (1983) [ADVD 2016] FLAC Stereo 24-96  Vinyl & HR

Posted by HDV at April 19, 2016
Tony Banks - The Fugitive (1983) [ADVD 2016] FLAC Stereo 24-96

Tony Banks - The Fugitive (1983/2016)
FLAC (tracks) Stereo 24-bit/96 kHz | Time - 52:57 minutes | 848 MB
ADVD Rip - Stereo Mix 2016 | Esoteric Recordings | Artwork: Front cover

The Fugitive is the second solo studio album by Genesis keyboardist Tony Banks. This classic LP was first released in June 1983 by Charisma Records and four months prior to the release of the album Genesis and began life as a series of home demos and was completed at Genesis' The Farm studio. The Fugitive featured contributions from Daryl Stuermer on guitars, Mo Foster on bass and drummers Steve Gadd, Tony Beard and Andy Duncan and for the first time Tony Banks sang lead vocals on all of the songs. The Fugitive spawned the singles 'This is Love' and 'And The Wheels Keep Turning' and is fine collection of well-crafted songs and instrumentals. Significantly, this new edition of The Fugitive has been remixed from the original master tapes by Nick Davis and Tony Banks.

Ozzy Osbourne - Bark At The Moon (1983)  Music

Posted by v3122 at Jan. 15, 2017
Ozzy Osbourne - Bark At The Moon (1983)

Ozzy Osbourne - Bark At The Moon (1983)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1987 | CBS Records, ZK 38987 | US | ~ 256 or 92 Mb | Scans(png) -> 93 Mb
Hard Rock

Ozzy Osbourne finds a permanent replacement for Randy Rhoads in Jake E. Lee, a more standard metal guitarist without Rhoads' neo-classical compositional ability or stylistic flair. Still, Osbourne and his band turn in a competent, workmanlike set of heavy metal featuring the crunching title track, whose video (featuring Osbourne dressed as a werewolf) became popular on MTV…

The Moody Blues - The Present (1983)  Music

Posted by v3122 at Jan. 8, 2017
The Moody Blues - The Present (1983)

The Moody Blues - The Present (1983)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Decca Record, 810 119-2 | ~ 268 or 99 Mb | Scans(png) -> 44 Mb
Progressive Rock / Art-Rock

ELO fans who found in Long Distance Voyager a new Discovery can be excused for thinking there's no Time like The Present. Just as ELO's follow-up to the sweeping Discovery seemed tame by comparison, so The Present failed to match the grandiose arrangements of the Moodies' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice." …

The SAS 1983-2014 (Elite)  eBooks & eLearning

Posted by AlenMiler at Dec. 15, 2016
The SAS 1983-2014 (Elite)

The SAS 1983-2014 (Elite) by Leigh Neville
English | 15 Dec. 2016 | ISBN: 1472814037 | 64 Pages | AZW3/MOBI/EPUB/PDF (conv) | 28.29 MB

Highly-trained and immensely skilled, the SAS are widely regarded as one of the best Special Forces units in the world.

The Key (1983) La chiave  Video

Posted by Helladot at Dec. 3, 2016
The Key (1983) La chiave

The Key (1983)
BRRip 720p | MKV | 1280 x 720 | x264 @ 2560 Kbps | 1h 50mn | 2,39 Gb
Dual Audio: English and Italian - eacg AC3 2.0 @ 192 Kbps | Subs: English (embedded)
Genre: Drama, Romance, Erotic | Director: Tinto Brass

A husband and wife lock their diaries in a drawer and also know that they read each other's entries, a device which takes them from one sexual encounter to another.
The Heartfixers - Live At The Moonshadow 1983 (Feat. Tinsley Ellis & Chicago Bob Nelson) (1983)

The Heartfixers - Live At The Moonshadow 1983 (Feat. Tinsley Ellis & Chicago Bob Nelson) (1983)
Electric Blues, Blues Rock | MP3 320 kbps CBR | 38 min | 113 MB
Label: Landslide Records | Rel:1983/2007

Blistering live blues from one of the South’s hottest bands of the 1980s. LIVE 1983 captures The Heartfixers at their peak, with strong performances by Chicago Bob Nelson (harmonica/vocals), Tinsley Ellis (guitar), Jim Bullard (bass), and Mike “Earthquake” McCauley (drums). Highlights from the now legendary shows at Atlanta’s Moonshadow Night Club include Ellis’s inspired takes on “Night Train” and the radio hit, Leon Russell’s "Boogie Man."

The Isley Brothers - Between The Sheets (1983 / 2011)  Music

Posted by TmanHome at Dec. 1, 2016
The Isley Brothers - Between The Sheets (1983 / 2011)

The Isley Brothers - Between The Sheets (1983 / 2011)
Soul, R&B, Funk | MP3 320 kbps CBR | 70 min | 168 MB
Label: Big Break Records | Rel:1983 / 2011

Compared to their past material, Between the Sheets lacks a consistent mix of sultry ballads and funky dance numbers. There are really only two Isley Brothers' classics on this project: "Choosey Lover" and the title song "Between the Sheets." The former has a romantic flow and the latter is just shy of mid-tempo but not a bona fide ballad.

Accept - Balls To The Wall (1983) [Remastered 2002]  Music

Posted by Andi_Deris at Nov. 1, 2016
Accept - Balls To The Wall (1983) [Remastered 2002]

Accept - Balls To The Wall (1983) [Remastered 2002]
EAC Rip | FLAC: Image+Cue+Log | 440 Mb | MP3 CBR 320 kbps | 146 Mb | Scans | Time: 56:13
RCA/BMG | 74321 93214 2
Heavy Metal

BALLS TO THE WALL is the fifth album by German heavy metal band Accept. European label Lark Records released the album in December 1983, but its US release was delayed until a month later in January 1984 as to not compete with the band's then-current album Restless and Wild, which had arrived in the US in early 1983. It is Accept's only record to attain Gold certification in America. The album's title track became Accept's signature tune and remains a metal anthem and trademark in the genre.