Samson François was a pianist of mercurial brilliance and mesmeric charisma, capable of extraordinary poetry. The sense of spontaneity in his playing could at times become wilful, even provocative, but he never ceases to exercise his fascination on the listener. Chopin’s music was of essential importance to him, and here he performs both the composer’s piano concertos.
The two concertos are worth lisenting although not masterpices. The second in the disk is better. Spada's playing is delicate and precise although the tempi in both finales is rather slow. Not to be compared with those concertos by Mozart but good. The overture to "Les Horaces" is beautifully composed in a Gluckian style. Its final subject heard by the end is very inspired and heroic. The overture to "Semiramide" (presented as to either "La Secchia Rapita" or "Il Ricco di un Giorno" -I can not remember exactly- in other Salieri's CD) is less interesting and Spada's slow tempo reinforces the mediocrity of the piece.
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping …
Andrzej Panufnik once wrote ‘Music gets its eternal beauty from an ideal balance of emotion and intellect’. Although Panufnik is primarily known as a composer of symphonies and large-scale orchestral pieces, his three original works for solo piano perfectly illustrate this motto. They are all highly crafted, demonstrating the composer’s fascination with mirror forms and symmetrical patterns.
…Thanks to the unprocessed and fully natural audio signal, all of the nuances of Schleiermacher's touch are captured, yet there is also a slight background sound that apparently comes from the performance space, not from any defect in the all-digital recording. Listeners may find that this is only a mild distraction and easy to get past once the music takes hold. This important series is recommended for all Feldman aficionados and anyone interested in the sublime expressions of his late period.
…If you're unfamiliar with Feldman's nuanced, nondevelopmental music, this may not be the easiest point of entry, but . . . well, there probably isn't an easy point of entry after all, so why not just dive in?
The complete original LP More of the Greatest Piano of Them All (Verve MGV-8347), showcasing the brilliant pianist unaccompanied. This album, which includes original liner notes by André Previn, was part of the marathon sessions jazz producer Norman Granz planned for Tatum, who at that time was seriously ill and neglected by record companies due to stylistic changes in the music industry. He would die on November 5, 1956 at the age of 47. As a bonus, we have added the complete album Still More of the Greatest Piano of Them All (Verve MGV-8360), which includes original liner notes by Teddy Wilson, plus one extra track, all recorded during the same sessions.