Recorded over 13 years between 1975 and 1988, Murray Perahia's cycle of the complete piano concertos of Mozart, including the concert rondos and double concertos, remains perhaps the most enduring monument to his art. What is it about Perahia's art, some skeptics might ask, that is worth enduring? For one thing, as this 12-disc set amply demonstrates, there is his incredible tone. Clear as a bell, bright as the sky, and deep as the ocean, Perahia's tone is not only one of the wonders of the age, it's admirably suited to the pellucid loveliness of Mozart's music.
Samson François was a pianist of mercurial brilliance and mesmeric charisma, capable of extraordinary poetry. The sense of spontaneity in his playing could at times become wilful, even provocative, but he never ceases to exercise his fascination on the listener. Chopin’s music was of essential importance to him, and here he performs both the composer’s piano concertos.
The two concertos are worth lisenting although not masterpices. The second in the disk is better. Spada's playing is delicate and precise although the tempi in both finales is rather slow. Not to be compared with those concertos by Mozart but good. The overture to "Les Horaces" is beautifully composed in a Gluckian style. Its final subject heard by the end is very inspired and heroic. The overture to "Semiramide" (presented as to either "La Secchia Rapita" or "Il Ricco di un Giorno" -I can not remember exactly- in other Salieri's CD) is less interesting and Spada's slow tempo reinforces the mediocrity of the piece.
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping …
Andrzej Panufnik once wrote ‘Music gets its eternal beauty from an ideal balance of emotion and intellect’. Although Panufnik is primarily known as a composer of symphonies and large-scale orchestral pieces, his three original works for solo piano perfectly illustrate this motto. They are all highly crafted, demonstrating the composer’s fascination with mirror forms and symmetrical patterns.