The White Stripes 24 Bit

The White Stripes - Icky Thump  (2007)  {Warner US 180g 2x LP}  24/192khz

The White Stripes - Icky Thump (2007)
Vinyl rip in 24-bit/192kHz | FLAC (5% Recovery) | no cue, art or log (vinyl) |
1.89 GB (24/192) | WU + FS | Rock/Garage Rock/Blues |
Warner Records - Mastered by Steve Hoffman & Kevin Gray

won a Grammy Award for Best Alternative Music Album on February 10, 2008.
The White Stripes - Elephant (UK Original) Vinyl rip in 24 Bit/96 Khz + CD-format

The White Stripes - Elephant (2003)
Vinyl rip in 24-bit/96kHz –> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 1,03 Gb, 301 Mb | 5% RAR Recovery
Garage Rock Revival, Blues-Rock | FilePost + RapidShare
XL Recordings

It's the same White Stripes you've always known. Great garage rock mixed with folky acoustic songs. Somewhat odd song titles and somewhat odd lyrics. Still no bass (the "bass" on Seven Nation Army is actually a guitar). And who's complaining? Not a soul.
Grand Funk Railroad - Caught In The Act (1975) (24-bit Remastered)

Grand Funk Railroad - Caught In The Act (1975) (24-bit Remastered)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Capitol, 72435-80592-2-9 | rem: 2003 | 675Mb

By 1975, Grand Funk Railroad had reached a new level of fame and fortune thanks to pop-friendly albums like We're an American Band and Shinin' On. However, they had not dropped the turbo-charged rock & roll that built their early success and that fact is proven by this exciting double-live album. Caught in the Act covers all the highlights of their catalog up to that point, including both the major hits and a generous sampling of album-track favorites.

The White Stripes - Albums Collection 1999-2007 (6CD) [Re-Up]  Music

Posted by Designol at July 20, 2016
The White Stripes - Albums Collection 1999-2007 (6CD) [Re-Up]

The White Stripes - Albums Collection 1999-2007 (6CD)
EAC | FLAC | Image (Cue&Log) ~ 1.93 Gb (incl 5%) | Time: 04:24:32 | Complete Scans ~ 397 Mb
Genre: Garage Rock, Blues Rock, Punk Blues, Alternative Rock

Collection includes all studio albums by American rock duo: The White Stripes (1999); De Stijl (2000); White Blood Cells (2001); Elephant (2003); Get Behind Me Satan (2005); Icky Thump (2007).
Frank Foster - Basie Is Our Boss (1963) {2013 Japan Jazz The Best Series 24-bit Remaster}

Frank Foster - Basie Is Our Boss (1963) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 171 Mb | 5% repair rar | 24-bit remaster
© 2013 Argo / Verve / Universal Japan | UCCU-9979
Jazz / Hard Bop / Saxophone

Tracks have a nice rolling feel, and the group is very comfortable with each other. Foster's tone is excellent. “….this is a great, great record; a very swingin', soulful, and I dare say slightly modal side from the great sax man Frank Foster, long time sideman and musical director of the Count Basie organization. …..Foster has assembled a very competent and skillful support crew, mostly former and then current Basie sideman (which accounts for the title of the LP: 'Basie is Our Boss…) but he is also supported by a great favorite of this blog; the unheralded John Young on piano. Unusually for an Argo side, there are only 6 tracks on this LP, as Foster & company are given a rare opportunity to stretch out and tackle the material.
The John Young Trio - A Touch Of Pepper (1962) {2013 Japan Jazz The Best Series 24-bit Remaster}

The John Young Trio - A Touch Of Pepper (1962) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 133 Mb | 5% repair rar | 24-bit remaster
© 2013 Argo / Verve / Universal Japan | UCCU-9742
Jazz / Cool / Hard Bop / Piano

One of the few sides ever recorded as a leader by Chicago soul jazz pianist John Young – a tasty trio set with just the right touch of pepper! The tracks are short and lively, very much in the mode of other Chicago trio players – like John Wright or Ramsey Lewis – and most of the tunes have a nicely rolling groove, thanks to great backing from from Sam Kidd on bass and Phil Thomas on drums – both of whom echo strongly the great Chicago groove going on at the time. The album also features a strong mixture of originals and upbeat standards – with titles that include "Joey", "In Other Words", "Blues Oreenee", "The Bridge", "Serenata", and "Search Me".
Keith Jarrett - Backhand (1974) {2013 Japan Jazz The Best Series 24-bit Remaster}

Keith Jarrett - Backhand (1974) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 152 Mb | 5% repair rar | 24-bit remaster
© 2013 Impulse! / Verve / Universal Japan | UCCU-9987
Jazz / Post Bop / Modern Creative / Piano

Prime Keith Jarrett on Impulse Records – and a still-wonderful session that features work by Dewey Redman, Charlie Haden, and Paul Motian! The sound here is a bit more focused than on some of Jarrett's earlier Impulse sides – but still has that rich and organic sound overall – blending instruments from all players with a sound that's spontaneous and flowing. Jarrett himself plays a bit of percussion and wood flute – and Redman also plays maracas and musette! Tracks are long, and include "Kuum", "Inflight", "Vapallia", and "Backhand".
Gigi Gryce Orch-tete - Reminiscin' (1960) {2013 Japan Jazz The Best Series 24-bit Remaster}

Gigi Gryce Orch-tete - Reminiscin' (1960) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 173 Mb | MP3 @320 -> 79 Mb
Full Artwork @ 600 dpi (png) -> 132 Mb | 5% repair rar | 24-bit remaster
© 2013 Mercury / Verve / Universal Japan | UCCU-9963
Jazz / Hard Bop / Saxophone

A great lost date from the wonderful Gigi Gryce – a set that features the altoist in an sextet, but often swinging with a looser vibe than on some of his better-known albums from the 50s! There's a mix of soulful and modern here that's not unlike the Art Farmer/Benny Golson Jazztet – both players of Gryce's same postwar generation, and coincidentally recording for Mercury at the same time. Although the groove here is definitely different – less emphasis on the bottom, and more on the top – not just Gryce's wonderfully raspy alto, but also the trumpet of Richard Williams too. All other players are great as well – and Eddie Costa brings in some sweet vibes – in a lineup that also features Richard Wyands on piano, and either Reggie Workman or George Duvivier on bass, and either Walter Perkins or Bob Thomas on drums. Tracks include "Reminiscing", "Gee Blues Gee", "Blue Light", and "Night In Tunisia".
Keith Jarrett - Mysteries (1976) {2013 Japan Jazz The Best Series 24-bit Remaster}

Keith Jarrett - Mysteries (1976) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 118 Mb | 5% repair rar | 24-bit remaster
© 2013 Impulse! / Verve / Universal Japan | UCCU-9988
Jazz / Post Bop / Modern Creative / Piano

Dark and moody work from Keith Jarrett – a record that builds strongly off his ensemble feeling of the Impulse years, but which also seems to carry a bit more of the introspective vibe he was building up in some of his more stripped down solo recordings! The group's still a great one here – with Dewey Redman on reeds, Charlie Haden on bass, Paul Motian on drums, and Guilhermo Franco on percussion – and the tunes, although long and somewhat free, still show Jarrett's great ear for a lyrical melody – carried off wonderfully without cliche, and still with more sharp edges than you might expect. Titles include "Rotation", "Everything That Lives Laments", "Flame", and "Mysteries".
Paul Bley - Paul Bley - EmArcy (1954) {2013 Japan Jazz The Best Series 24-bit Remaster}

Paul Bley - Paul Bley - EmArcy (1954) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 179 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (jpg) -> 89 Mb | 5% repair rar | 24-bit remaster
© 2013 EmArcy / Verve / Universal Japan | UCCU-9739
Jazz / Avant-Garde Jazz / Piano

Early early work by Paul Bley – years before he picked up the synthesizer, and years before he became the moody modernist he was in the 70s! The album's a relatively straight batch of tracks, but does have a touch of modernism – an early example of the sharp sounds that Bley would fully forge in alter years. The lineup is nice, too – with either Percy Heath or Peter Ind on bass, both players who clearly feel Bley's intentions – and Al Levitt on drums. Tracks are mostly standards, but they're done by Bley in a way that's fresh and sprightly – and titles include "My Heart", "Topsy", "I Want To Be Happy", "Autumn Breeze", and "My Old Flame".