During the '80s, Thompson Twins arguably produced the finest synth-pop singles, and Greatest Hits recollects their industrious years with Arista in clear, digitally remastered sound.
Big Trash was a successful attempt to add a stronger rhythmic sensibility to The Thompson Twins' sound, but the album failed to produce any hit bigger than the number 28 "Sugar Daddy," although there were several other strong numbers on the record.
Thompson Twins were an 80's synthpop group. TT where made famous when their first hit single "In the Name of Love" reached the top of the US dance charts and stayed there for five weeks. They found superstardom with the release of their fourth studio album Into the Gap (1984) which spun four hit singles "Hold Me Now", "Doctor! Doctor!", "Sister of Mercy" and "You Take Me Up"...
Japan only release featuring 3 mixes of 'The Saint', 3 mixes of 'Come Inside' & 4 mixes of 'Groove On'.
Collection includes: Side Kicks (1983); Into The Gap (1984); Here's To Future Days (1985); Close To The Bone (1987); Big Trash (1989); Queer (1991).
UK three CD collection. This release charts the birth of synthesized pop music in the 1980s and ultimately the roots of contemporary electronic dance music. The importance and continued popularity of '80s pop is not to be underestimated, and the emergence of serious synthesized music producers in Kraftwerk, the Human League, Heaven 17, OMD, Yazoo, Ultravox, Talk Talk, Japan, Devo, Sparks, Gary Numan, New Order and the Pet Shop Boys, all of whom massively pushed the boundaries in experimenting with (mainly) Roland synths in this era, ultimately showed the way for the House and Techno producers of the '90s to the present day. Within this more serious side there was also some brilliant, pure Synthpop from the Thompson Twins, Duran Duran, Spandau Ballet, Thomas Dolby, Simple Minds, Propaganda, Erasure, China Crisis, Belouis Some, the Lotus Eaters, a Flock of Seagulls, Howard Jones, Blancmange and the Associates.
This feature focuses on major seventh shapes across the entire fretboard and explores associated techniques in the style of Robin Guthrie. Examples focus on strumming techniques, arpeggios and arpeggiation patterns, dynamics and intervallic theory. As always, Corey breaks everything down in his customary style, ensuring students are given the tools necessary to learn and practice the material covered in an efficient manner.