Tim Ferriss is an extraordinary young man on a mission. The 28-year-old serial vagabond and successful entrepreneur has been teaching a wildly popular course at Princeton University for the past four years: a how-to and why-to guide to throwing out the old methods for success (balancing life and work, retiring well, having a great nest egg) and replacing them with an entirely new way of living.
The 4 Hour Work Week explains what a lifestyle entrepreneur is and why you should want to become one. It teaches you how to "kill" your job and design a life, the 80/20 rule and how it increases productivity, how to replace your dreams with goals, and more. Listeners can lead a rich life by working only four hours a week, freeing up the rest of their time to spend it living the lives they want.
The debut recording of Instruments of Happiness (IoH) combines elements of experimental art-rock, chamber music, electroacoustics, orchestral music, and more. ...Allan Kozinn, in the CD’s Introduction, remarks that the electric guitar’s amplification and sound-shaping possibilities have “given the guitar a kaleidoscopic palette that orchestra players couldn’t have dreamed of".
21 years after No-Man's debut and 10 years after Bowness's previous solo release My Hotel Year, Tim Bowness returns on the Inside Out label with his ambitious second solo album, Abandoned Dancehall Dreams. Produced by Bowness and mixed by his No-Man band partner Steven Wilson, the album features performances from Pat Mastelotto (King Crimson), Colin Edwin (Porcupine Tree), Anna Phoebe (Trans-Siberian Orchestra) and members of the No-Man live band (Stephen Bennett, Michael Bearpark, Pete Morgan, Steven Wilson, Andrew Booker and Steve Bingham).
After the unqualified critical, chart, sales, and Grammy successes of the Robert Glasper Experiment's two Black Radio albums, remixes, and singles, the need to explore was requisite. ArtScience is a reflection of the qualities and musical interests that brought this band together. Their seamless meld of contemporary jazz, hip-hop, neo-soul, pop, and rock has influenced a host of artists following in their wake. This album marks a new modus operandi: it's the first time the band has written and produced collectively. (Even the two covers here were arranged by the unit.) It's also a first in that there are no guest vocal cameos. The set was recorded in New Orleans over two weeks apart from the endless touring and hustling solo careers of its members.