Tab Benoit has gone the live route before on his recordings, and he's smart to keep reminding listeners every so often that that's where he's at his best. Which is not to take away from Benoit's studio recordings, all of which – including last year's excellent Power of the Pontchartrain – are admirable showcases for his consistently solid blues guitar chops and gritty vocalizing. As on the last effort, Benoit is backed here by the New Orleans fixture Louisiana's Leroux, who provide the kind of muscular foundation that makes Benoit's funk that much funkier. They're all most at home when churning out a basic boogie like "Muddy Bottom Blues," one of a trio of songs on which Benoit and band are joined by Wet Willie's Jimmy Hall, and "Too Sweet for Me," which spotlights Kim Wilson of the Fabulous Thunderbirds on harp. But on the occasions when they lay low, like "Fever for the Bayou," with guest Jumpin' Johnny Sansome sailing on the accordion, Benoit finds a deeper connection with the soul of New Orleans, a soul that, in this post-Katrina age, we all need to connect with more than ever.
Barry Miles is a Fusion-Jazz keyboardist who has worked with many of the top fusion musicians, including Al Di Meola and Miles Davis. He has issued a handful of solo albums over the years. We now present Sky Train, originally released on RCA Records in 1977, for the first time on compact disc. It features Eric Kloss, Anthony Jackson and Randy Brecker. The album also features the 20 minute epic 'Cityscape (The Fusion Suite)'.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
Jimmy Forrest had a tremendous hit in 1951 with "Night Train," a simple blues riff he lifted from Duke Ellington's "Happy Go Lucky Local." Although the tenorman was not able to duplicate that song's appeal with any other recording, he was a popular performer in the R&B circuit throughout the 1950s. Virtually all of his records from the era (originally made for the United label) are on this CD reissue, including five selections not previously released.