Already established within Viennese culture by Haydn and Mozart, the trio genre was taken to new limits by the inexhaustible imagination of Beethoven's genius: "a serene joy come from an unknown world", was E. T. A. Hoffmann's reaction on hearing the Trio in D major Op.70 no.1. The Wanderers have ventured into the Beethoven piano trios and mastered every inch of its topography. What better guide could there be for us to follow with total confidence, in their 25th anniversary year?
…I already indicated the excellent qualities of the soloists especially Franziska Hirzel and Birgit Remmert who sing with that important ethereal intensity. Kofman conducts with the ideal tonic and lets the music move along quite magically. The SACD sound comes out trumps on my Sony SACD-11 player and I really have nothing but an unqualified recommendation for this beautiful set.
"…In addition to the Super Audio CD (in 2+2+2-SACD multichannel format) the edition contains a DVD video with a concert version of op. 135 and an exciting conversation between Georg Albrecht Eckle and Peter Gülke. Here more questions about composer, works, and date of composition are answered in inimitable fashion than one would have ever dared to ask. What a rich and vast find for every classical fan!"
Recordings of Beethoven's Triple Concerto, Op. 56, by a piano trio rather than by a group of virtuosi (a configuration that almost always misunderstands the work) are not abundant. Still rarer are those like the present release by the Storioni Trio, a Dutch group that takes its name from the maker of the 1790s instrument played by the violinist (and strung, like the viola, with gut strings). Pianist Bart van de Roer plays an 1815 Lagasse fortepiano. This recording is part of a series devoted to Beethoven's piano trios, but the Triple Concerto actually is more comfortable in those surroundings than when forced to keep company with the likes of the Violin Concerto in D major, Op. 61.
Happy birthday, Franz Liszt! The Beethoven Orchestra Bonn under its conductor Stefan Blunier and the pianist Claudius Tanski present orchestral works and piano music by this Austro-Hungarian great, including the overture to Goethe’s Torquato Tasso and the Totentanz of 1849, on the occasion of the two hundredth anniversary of his birth. A finely nuanced extra comes in the form of an orchestration of La lugubre gondola by John Adams.
…The vivid MDG recording is slightly distanced, so the volume needs to be increased considerably for its fine qualities to become evident. Balances between voices and orchestra are excellent, and for those listening in multi-channel the surround speakers have been used to great effect for the off-stage brass, distant bells and chorus in the Act 3 cataclysmic immolation of Irrelohe castle. There is no applause or audience noise but the movement of singers on the stage is clearly defined with very few extraneous sounds being captured by the microphones. This is the latest addition to the Schrecker discography and will be welcomed by all admirers of the composer and can be confidently recommended.
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG