Pop is the ninth studio album by Irish rock band U2, released in March 1997. The album was a continuation of the band's 1990s reinvention, as they pursued a new musical direction by combining alternative rock, techno, dance, and electronica influences. The album employs a variety of production techniques relatively new to U2, including sampling, loops, programmed drum machines, and sequencing. The Japanese Version of Pop with One Extra Track- 'Holy Joe' (Guilty Mix).
How to Dismantle an Atomic Bomb is the eleventh studio album by Irish rock band U2, released in November 2004. Much like their previous album, All That You Can't Leave Behind, How to Dismantle an Atomic Bomb exhibits a more conventional rock sound after the band experimented with alternative rock and dance music in the 1990s. How to Dismantle an Atomic Bomb and its singles won all nine Grammy Awards for which it was nominated (U2 themselves were awarded eight out of the nine).
All That You Can't Leave Behind is the tenth studio album by rock band U2. Following the mixed reception to their 1997 album, Pop, All That You Can't Leave Behind represented a return to a more conventional sound for the band after they experimented with alternative rock and dance music in the 1990s. U2 brought back producers Brian Eno and Daniel Lanois who had produced a number of the band's previous albums.
The Best of 1990–2000 is the second greatest hits compilation album by Irish rock band U2. The album was released on 5 November 2002 by Island Records, except in the United States where the album was released on the Interscope label as a single-disc CD compilation. The Best of 1990–2000 & B-Sides was released on the same day with a second disc featuring 14 of the b-side singles released from 1990 to 2000 and a bonus DVD with a trailer for the album and three other segments.
Achtung Baby is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. Achtung Baby is one of U2's most successful records; it received favourable reviews and debuted at number one on the US Billboard 200 Top Albums, while topping the charts in many other countries. Rolling Stone ranked the record at number 63 on its 2012 list of "The 500 Greatest Albums of All Time".
War is the third studio album by Irish rock band U2, released on 28 February 1983. The album has come to be regarded as U2's first overtly political album, in part because of songs like "Sunday Bloody Sunday", "New Year's Day", as well as the title, which stems from the band's perception of the world at the time; Bono stated that "war seemed to be the motif for 1982." War has received critical acclaim. In 2012, the album was ranked number 223 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time".
From the outset, U2 went for the big message – every song on their debut album Boy sounds huge, with oceans of processed guitars cascading around Bono's impassioned wail. It was an inspired combination of large, stadium-rock beats and post-punk textures. Without the Edge's echoed, ringing guitar, U2 would have sounded like a traditional hard rock band, since the rhythm section and Bono treat each song as an anthem. Of course, that's the charm of Boy: all of its emotions are on the surface, delivered with optimistic, youthful self-belief, yet the unusual, distinctive guitar textures give it an unexpected tension that makes it an exhilarating debut. The songs may occasionally show some weakness – the driving "I Will Follow," the dark "An Cat Dubh," and the shimmering "The Ocean" stand out among the sonic textures – yet the band's musical and lyrical vision keep Boy compelling until the finish.
A rock & roll open secret: U2 care very much about what other people say about them. Ever since they hit the big time in 1987 with The Joshua Tree, every album is a response to the last – rather, a response to the response, a way to correct the mistakes of the last album: Achtung Baby erased the roots rock experiment Rattle and Hum, All That You Can't Leave Behind straightened out the fumbling Pop, and 2009's No Line on the Horizon is a riposte to the suggestion they played it too safe on 2004's How to Dismantle an Atomic Bomb. After recording two new cuts with Rick Rubin for the '06 compilation U218 and flirting with will.i.am, U2 reunited with Brian Eno and Daniel Lanois (here billed as "Danny" for some reason), who not only produced The Joshua Tree but pointed the group toward aural architecture on The Unforgettable Fire.
This stunning concert documentary sheds fresh light on U2's controversial 1997 Popmart tour, the Irish rockers' gaudy, epic trek in support of their electronica-edged Pop album. Mixed reactions to the pulsing, dance friendly music on Pop and disappointing ticket sales to stateside Popmart shows were interpreted as evidence that the band's new sound and look were merely opportunistic…