Soloing styles, techniques and essential insights Many a guitar legend has cut their teeth and left their mark on the jazz-influenced blues style known as "West Coast Blues" (aka "jump" blues): Charlie Christian, Clarence Gatemouth Brown, Albert Collins, Johnny Guitar Watson, Duke Robillard, Hollywood Fats, Little Charlie Baty are just a few. But T-Bone Walker is likely the genre's definitive guitarist.
"West Coast Toast" heralds the arrival of Mitch Kashmar’s long-awaited third studio album from Delta Groove. Although fans had the live recording "Live at Labatt" (2008) and a CD reissue of his early ’80s era LP "100 Miles to Go" (2010) to tide them over, it’s been ten years since his last full studio effort, "Wake Up & Worry" (2006). This time out, Mitch pays tribute to his legacy, tipping his musical hat to the unique sounds of West Coast blues with a program of well-chosen covers mixed in with his own original compositions, all filtered through his own individualistic approach to the blues, and distilled down into the essence of what the blues is today. Along the way, Mitch Kashmar, together with the stellar backing musicianship of Junior Watson (guitar), Fred Kaplan (piano), Bill Stuve (bass) and Marty Dodson (drums), ably proves that the golden era of West Coast blues harmonica isn’t behind us – it’s still happening right now!
An album full of VINTAGE 1966-1968 Music by the band that brought you the incredible "HASHISH" on the legendary San Franciso Sampler "Fifth Pipe Dream". First ever release of this killer Westcoast psychedelic monster that took many years to complete!!! West Coast Natural Gas started in 1965 in Seattle. In early 1967 they went to San Francisco to work for a local music manager named Matthew Katz. Katz was the original manager for Jefferson Airplane, Moby Grape and later also It's a Beautiful Day. He talked West Coast Natural Gas into signing a contract with him but being young and stupid, they didn't realize at the time that they had basically signed everything over to him.
A holy grail of jazz – Roy Ayers' first album as a leader, and a near-lost session that's simply sublime! The record was cut at the same time that Roy was working in LA with pianist Jack Wilson – and it's got an approach that's a bit similar to some of the Wilson/Ayers sessions for Atlantic, Blue Note, and Vault – but with a marked difference here in the presence of Curtis Amy, who plays some incredible tenor and soprano sax on the session – arcing out over the modal lines set up by the vibes and piano, and shading in the record with a much deeper sense of soul! Amy plays on about half the album's tracks – all of which are standout modal tunes that preface the MPS/Saba sound by a number of years, and which we'd easily rank as some of the greatest jazz recorded anywhere in the 60s.
The West Coast Pop Art Experimental Band was a bizarre combination of three well-heeled teenagers (brothers Dan and Shaun Harris and their school mate Michael Lloyd), and an even wealthier, thirty-something attorney called Bob Markley. Markley secured the group a recording deal with Reprise Records, where they made a series of strange records. While they scored no hits for the label, the band's most famous composition was 'Smell Of Incense'. which was covered to great effect by Southwest F. O. B., among others. The song was composed by Markley with a later addition to the band, guitarist Ron Morgan. As the composition reveals, Morgan was a highly talented (he later played with The Electric Prunes and a very early edition of Three Dog Night) and troubled individual. He died in 1989. Although the fate of the group svengali Bob Markley is, at present, unknown, Lloyd and the Harris brothers recently reunited to record some new WCPAEB music.
Cassandra O'Neal is an awesome musician. She has played for many artists on the road and in the studios, such as 'The Kurt Carr Singers' and 'Judith Christie-McAllister' just to name a few. West Coast Piano is aimed at experienced piano players looking to develop or enhance their gospel piano playing chops.