Stars Of Musicals is a stunning collection featuring 60 of the greatest musical songs taken from the most popular musicals including Phantom Of The Opera, The Wizard Of Oz, Annie, Evita, Joseph, Oliver, The Lion King, Oklahoma & more more. The glittering line of artists includes Judy Garland, Frank Sinatra, Gene Kelly, Marilyn Monroe, Michael Crawford, Bing Crosby, John Barrowman plus many more celebrated stars.
You can't argue with a great concept: Songs sung by Frank Sinatra are interpreted by a slew of indie rock and punk bands. A great concept, but one that makes for truly (and gloriously) unpredictable results. Chairman of the Board is, of course, not a perfect record, but it offers up some true gems.
Guardians of the Galaxy: Awesome Mix Vol. 1 (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film of the same name. Featuring the songs present on Peter Quill's mixtape in the film, the album was released by Hollywood Records on July 29, 2014. A separate film score album, Guardians of the Galaxy (Original Score), composed by Tyler Bates, was also released by Hollywood Records on the same date, along with a deluxe version featuring both albums. The soundtrack album reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart. The album topped the Billboard Top Soundtracks for 11 consecutive weeks and 16 weeks in total. As of January 2015, it has sold 1,003,000 copies in the United States, and has been certified Platinum by the RIAA. The album was the US's second best-selling soundtrack album of 2014, behind only the soundtrack to Frozen.
By dropping the needle on classic rock cuts and forgotten ‘70s pop confections, The Guardians of the Galaxy flipped the conventional thinking of soundtracks on its head. The blockbuster continues this fine tradition on the sequel, pulling from a dusty crate of one-hit wonders and FM rock. Vol. 2 bounces along with ELO (“Mr. Blue Sky”), glam (“Fox on the Run”), power pop (“Surrender”), and more than one guilty pleasure (“Brandy (You’re a Fine Girl)”).
Nick Saloman of the Bevis Frond once again invites us to join him in the obscure pleasures of little-known pop, R&B, and jazz instrumental sides of the '60s and '70s with this collection. A number of the selections featured on Return of the Instro-Hipsters are so obscure that even Saloman isn't sure just who is responsible for them (though he offers some educated guesses on the artists behind such names as Sharks, Oliver Bone, and the Masked Phantom), but there are a good share of solid grooves and kicky melodies to be found here from a number of gifted little-knowns. If you went to the movies in the '70s, "Soul Thing" by Tony Newman will sound familiar, while flautist Harold McNair solos over a Dave Brubeck-influenced piano groove on "The Hipster," Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck," Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's variation on the theme by more than 15 years, "The Brooke Bond Beat" by Cliff Adams may be the most swingin' tea commercial ever, and the Outer Limits serve up some tough, moody rock, appropriately titled "Black Boots".