This compilation covers 20 years of live recordings made by conductor Yevgeny Mravinsky and the then-named Leningrad Philharmonic Orchestra for Erato. Mravinsky led that orchestra for nearly 50 years, from 1938 until his death. His last recording was that of Shostakovich's Symphony No. 12, made in 1984, found on Disc 3 here. His interpretations of Shostakovich and Tchaikovsky were highly regarded, so it's not surprising that several of their symphonies are here. There are also symphonies by Mozart and Beethoven in this set; tone poems by Tchaikovsky and Mussorgsky; and orchestral excerpts from operas by Wagner, Glinka, and Glazunov. The final disc contains a rare recording of a rehearsal led by Mravinsky, something few outsiders were ever allowed to witness. Even though he was an elder statesman of Russian music at the time of these recordings, there is still precision and energy in his interpretations.
Not being a lifelong Wagner devotee, I'm not sure if this particular performance has been released before or not, but I do know that it was included in a 2013 9-title release of Wagner operas recorded live from The Met from 1937 through 1954.
Why this performance? 3 words: Flagstad, Melchior, Huehn. I would add to that Leinsdorf, especially since the recording quality is so bad; his faster-than-the-norm tempi help cut through the densely muddy sound quality.
All I Need is the debut studio album from General Hospital star Jack Wagner. Quincy Jones protegé Glen Ballard (who would go on to write with and produce Wilson Phillips six years later, and have massive success in the 1990s with Alanis Morissette's Jagged Little Pill) and Clif Magness (who also worked in a musical context with Ballard on Wilson Phillips' debut album) oversaw the project, co-writing some of the material as well as playing some instruments.
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
Covering 50 Cent, Cat Stevens, Faith Evans, and more on steelpan drums should not sound this gimmick-less. It helps that the Bacao Rhythm & Steel Band is, first and foremost, a strong funk ensemble. The Bacao Rhythm & Steel Band is a pet project of the German instrumental group the Mighty Mocambos, a practiced collective that makes versatile deep funk. Bacao is a vehicle for bandleader and guitarist Björn Wagner's dedicated enchantment with the steelpan drum, which he and three other band members play on a new debut full-length called 55.
This recording of a live performance of MEISTERSINGER from Bayreuth 1957 definitely merits five stars. For those of you who don't already know this, Gustav Neidlinger (PeaceBeUponHim) was the undisputed master of Wagner's "howling-and-spitting" villain roles, Alberich and Klingsor, from the early 1950s until the mid 1970s. He sang with unmatched sulfur, cannon-ball density, huge volume, dark tone, and powerful dramatic interpretation. He sang more spontaneously and from-the-gut than most singers. He was the first of his generation to sing these roles with musical line and connected legato, rather than as a series of isolated shouts, grunts, and bellowings. He was typecast for these villainous roles as soon as he set foot on the stage, and almost never performed as a good-guy.