The pairing of Vaughan Williams' Job and his Symphony No. 9 is a logical one, not least because of the prominent role given to saxophones in both works. Vaughan Williams called Job a "masque," following old English usage, but it's a ballet in all but name, and like many of them it succeeds as a standalone orchestral work. The idea of a ballet based on the Book of Job seems slightly odd until you learn that it was inspired by William Blake's illustrations for the story, which would have been very familiar to Vaughan Williams' audiences in 1930.
Tenney has often characterized himself as a kind of “tone scientist”, that is, one working on an almost microscopic level with the primary materials of sound in order to expand our knowledge of its properties (what makes it what it is) and perceptual identity (how we respond to it). To do so, he has composed music that isolates the components of sound production into their most basic acoustic phenomena; music that explores and illuminates the subatomic pitch relationships within the harmonic series; music that combines these pitches into complexes motivated by systematic patterns or chance procedures.
In Memoriam. Sad news as Geri Allen has passed away. RIP Geri Allen. Trio 3 played five evenings together with pianist Geri Allen in the New York jazz club Birdland, paying homage to the jazz pianist Mary Lou Williams. They presented fresh and individualistic interpretations of some of the most beautiful pieces of the "First Lady of Jazz". Intakt has recorded these evenings.