The duo offers the most intimate dialogue between two musicians: a time when each musician himself up, and dig deep inside himself to express a melody inspired improvisation on the other, this is so magical. This magic has proved the first time that Nico Gori has performed with Fred Hersch. The two musicians met for the first time the North Sea Jazz Festival 2010 in Holland. Nico Gori then played with the Italian pianist Stefano Bollani and Fred Hersch Trio with her two. The two were immediately attracted by the sound of the other.
…Hans Zimmer's Oscar-nominated score is performed on the instrument du jour of the 1980s, the electronic keyboard. A dangerous move, considering the synthesizer's lack of cinematic sweep, and its high potential for cheesiness. But this is a great score. The lonely, atmospheric "End Title" track is evocative of the sort of wistful sadness that pervades the film. And "Las Vegas" is even better – it provides a major adrenaline rush, as driving drum machines mix with wildly emotive wordless vocals. It's a very original approach to scoring a cinematic moment.